I have always admired the Lie Nielsen hand tools. They seemed to me to be the Cadillac of the trade. When I saw them demonstrated at Hearne Hardwoods this fall I decided that the low angle block plane would make a fine Christmas present. Sure enough Santa put one under the tree for me.
So what is so special about a Lie Nielsen (LN) hand tool, or especially a block plane. I had built a number of boats using a Stanley block plane and they came out just fine. Well when I took my new LN for a spin I realized what an incredible tool it is. First, let’s recount the difficulties with using my old Stanley. When it needed sharpening it came apart easily enough but went back together kicking and screaming. Adjusting the blade so that you got the same depth of cut you had originally was a trial and error sort of endeavor. You also had to worry about the blade being square (there is an adjustment toggle thing on the old Stanley that squares it up). The mouth was adjustable but not easily. Minor adjustments on the fly are frustrating.
Here is the new and the old.
To sharpen the blade of the Lie Nielsen is so easy. You rotate the spin wheel holding the blade down, remove the bronze cap iron and out she comes. I gave the iron a modest honing with my water stone and plopped it back in place. There was no need to square the iron and it went right back to its original depth setting thanks to a groove on the iron that mated with the blade adjusting nut.
Mouth opening was an easy adjustment too. It was so easy that there is now no barrier to adjusting to the right setting while in the midst of a delicate job.
Here are two views of the Lie Nielsen low angle block plane.
It is great to see such a quality tool made in the US. The Lie Nielsen motto is “Heirloom Quality Tools.”. Sure enough.
The origins of the Adirondack guideboat have always puzzled me. Did it evolve entirely within the Adirondacks? I believe it did. The early Adirondack settlers were dependent on boats to move about in a land that was devoid of any other mode of transportation except foot paths. The chains of lakes allowed them to travel from the south, Old Forge, to the north, Saranac Lake, a distance of 90 miles, relatively easily.
By necessity the early settlers became proficient at building boats. Their first boats were sturdy, but quite heavy, row boats. They weighed over 100 lbs. These boats were not hefted across the Adirondack carries (portages) but left at one end of the carry. The boat man would pick up another boat left at at the opposite end by his neighbor and go on his merry way. Apparently there were enough boats to go around to make this scheme work.
Evidence of the evolution of the guideboat is hard to come by. The Adirondack natives were too busy surviving to do much writing about their boats. We are left to those who visited the Adirondacks during the 1800’s to provide insight into how this small craft evolved.
The very earliest physical record of the early boats I call the “bookcase boat”. It was collected by Franklin Brandreth and resides at Brandreth Park near Raquette Lake.
The boat survives only because it was made into a piece of furniture. To do so the stern portion was sacrificed. Nevertheless, much can be learned from it. Painted on the deck is an inscription “1848”. There are six sets of ribs 7/8″ wide on 14″ centers. There are four planks on each side and they vary in thickness from 1/2″ at the midships to 3/8″ at the bow. There are thole blocks that received thole pins that held the oars. It has a bottom board that is 10″ at its widest point. There are rounded notches in the gunwale that could have held a carrying yoke.
So we have in the bookcase boat a prototype of later guideboats. That the bookcase boat was not an anomaly is shown by a sketch by Richards of a guide’s boat he did in 1853.
This boat also has four planks per side. It is square-ended and has more ribs than the bookcase boat. The oarsman rows from a plank seat and the oars are now pinned rather than held by thole pins. It is square-ended with a so-called tombstone transom due to its rounded shape.
This style of Adirondack boat may have gone essentially unchanged for a long time if it weren’t for a new arrival on the North Country scene, the wealthy sportsman. These men came mainly from the large eastern seaboard cities because they had heard of the vast opportunities for hunting and fishing that the Adirondacks offered. But they needed guides and the guides needed a boat specifically designed for guiding. It had to be light enough for one man to carry yet able to carry two men, their hunting and fishing gear, and other paraphernalia that would allow them to remain in the wilderness for a week or two.
An example of these new guide’s boats is shown below.
These boats were of lapstrake construction, that is their planks overlapped along each edge much like a clapboards on a house. They are square-ended with a small transom. An example of such a transom is shown by a boat built by the guide Reuben Cary around 1870. Cary cleverly used a carefully selected crook , or knee, of a spruce tree to form the transom. The broad face of the transom was formed by exploiting roots running at right angles to form the fan shape of the main body of the transom. At right angles to the fan he shaped another root to form a stem-like appendage. All this from one main root!
Here is an photo of a lapstrake square-ended guideboat taken by Seneca Ray Stoddard around 1890. Its getting some rough treatment!
The square-ended lapstrake guideboat was to undergo two major modifications before reaching maturity. Both of these changes occurred about 1880. The transom disappeared in favor of a double-ended boat. This may have been a practical move. With the stern seat set so far back it was difficult to trim the boat. With someone in the stern seat, the stern would often drag on sand bars and such.
The reason for the other change, from lapstrake to a smooth-skinned hull, is harder to explain. I have heard that it increased the speed, made the boat quieter, and reduced weight. Perhaps so but all those incremental improvements would not have offset the time and craftsmanship necessary to achieve such a result. My guess that it was strictly for aesthetics and beauty sold.
It took some time for the old square-ended guideboats to disappear from the scene. Here are some square-enders that seem to be mixed in with the newer double-enders at Camp Pine Knot on Raquette lake. The photo was taken by Seneca Ray Stoddard around 1890.
The boat reached perfection as a double-ended, smooth skinned small wooden craft in the 1890’s and into the 1900’s before its time passed. Here is one example, built by Allison at the Adirondack Museum. It is a reproduction of one built by Warren Cole in 1905.
Next time I start on my fourth guideboat. What will I do differently this time?